One of the hardest parts to the beginning of the story is that we know that it does end with Lana's death, so it is bound to be sad. Even though Liz is actually older than her by now, but that's irrelevant. Liz is trying to solve the mystery of Lana's untimely and unsolved death, and since she can speak to the dead, she goes right to the source! When it starts, it's right back in the mid 1990s, when GG&G was set, and Lana, otherwise known as The Lady in Blue, is having a conversation with her great-niece Liz. But it is almost exclusively its own story, and a really amazing one at that. ![]() So, you should read Grunge Gods before reading this one, just because I think it'd be easier to appreciate the story. I did really enjoy Grunge Gods and Graveyards (you can read my review here, if you'd like!) and I figured I'd like this story too, though I didn't know I would looooooove this story the way I did. If you follow me on Goodreads, you may have seen my gush fest over it. And Liz will have failed the most important assignment of all - family. But if Lana can't identify her killer, not only will a murderer escape punishment, but her ghostly form will cease to exist. When Lana died in a bloody car crash, all signs pointed to the mysterious man who was never seen again.Īs Lana unravels the details surrounding her last week of life, the tale she weaves for Liz is one of desire, betrayal, and murder. In 1955, Lana Bloom was an eighteen-year-old beauty with Hollywood dreams who fell in love with a stranger. Liz isn't big on studying, but she does have one advantage most criminologists don't - she can speak to the dead. ![]() When she's about to take on her first cold case, Liz learns the eerie song is about her great aunt Lana. ![]() Then drowned in the river in water and mud.Īll her life criminology student Liz Bloom has heard this rhyme, meant to scare young campers. She wandered the woods with her head dripping blood. Out on Devlin Road she emerged from a crash. The Lady in Blue stole a car and fled Ash.
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